Sunday in the Park with George

The first and authentic show-stoppers seem not when a craftsman makes something shockingly new,Sunday in the Recreation area with George Articles something that didn’t exist previously – yet when he tracks down the associations that nobody before saw. Furthermore, the virtuoso of the craftsman is to see this association and to move this disclosure to the onlooker. This is the pith of the craftsmanship.

A similar thought is given in the two distinct works: a film “Koyaanisqatsi” and a Broadway play “Sunday in the Recreation area with George”. Notwithstanding their distinction the two of them are shockingly new at making associations. “Koyaanisqatsi” is an association in itself, it is a convoluted combination of pictures, music and thoughts, where not the thought isn’t made by the visual and sound means, however is normally mix into their complex.

“Koyaanisqatsi” starts with the shots of Indian antiquated cave-compositions, and this presents the subject of time association – association with past, and perhaps recommends the general public to return to its underlying foundations. After these old artworks the cutting edge society is presented in its structures and exercises. This shot gives us memory of the past.

Another association is the parallelism of pictures that the movie producer gives: individuals and vehicles moving in the roads resemble blood streaming in the courses, the mists roll and fall like waves in the sea – this is the craft of seeing numerous things once again and tracking down normal in exceptionally opposite things. It is feasible for any human however for sure just craftsmen utilize this capacity, or perhaps, they are given an extraordinary capacity of seeing which the standard individuals really do no have. “Koyaanisqatsi” assists us with seeing these associations on the planet and it makes us look for the new similitudes of the contrary things.

The “Sunday in the Recreation area with George” is about associations and they are different in the film: first, the association with past, present and future, appeared through the plot – 100 years break among first and second demonstrations, and the story going from the craftsman of the start of the twentieth hundred years to his grandson. It resembles timeless association of ages displayed in one play. The other association is the one that George is attempting to do: to unite various pieces of human existence in his works, to communicate feelings with the apathetic means like paints and material. He attempts to cause a picture by painting many little spots on the huge material and making the observer to get his thought by associating these little dabs. He communicates it in his popular melody “Assembling it”. This is his unique thought, another regulation in painting created by George Seurat that he needs to demonstrate by his works. He attempts to imagine a few widespread laws of painting, equation that will suite each demonstration of making. He is exceptionally energetic about it, and for that reason he loses his sweetheart Speck, and is dismissed by his individual painters.

The two movies handle the issue of craftsmanship and its opportunity. “Koyaanisqatsi” raises this issue by its own structure: it provides us with an extremely new origination of the piece of workmanship. The craftsmanship has the ideal for opportunity, yet this right is oft